{"id":2981,"date":"2025-05-13T13:03:41","date_gmt":"2025-05-13T13:03:41","guid":{"rendered":"https:\/\/library.edinburghcollege.ac.uk\/?page_id=2981"},"modified":"2025-05-13T13:29:59","modified_gmt":"2025-05-13T13:29:59","slug":"graphic-novel-collection","status":"publish","type":"page","link":"https:\/\/library.edinburghcollege.ac.uk\/?page_id=2981","title":{"rendered":"Graphic Novel Collection"},"content":{"rendered":"\n
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Our graphic novel collection is comprised of bestsellers and recommendations from our library team. We aim to provide a wide range of graphic novels to compliment your learning and inspire your creative work

To find more books and ebooks within our collection search eCore – Edinburgh College Online Resource Enquiry<\/a> –  Edinburgh College’s discovery service.


To reserve a title, or for more information please contact library@edinburghcollege.ac.uk<\/a><\/p>\n<\/div>\n\n\n\n

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Graphic Novels from our collection<\/strong><\/h2>\n<\/div>\n\n\n\n
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\"Bttm<\/figure>\n\n\n\n

Bttm Fdrs<\/strong><\/p>\n\n\n\n

Ezra Claytan Daniels, Ben Passmore <\/strong>

Once a thriving working-class Chicago neighbourhood, the ‘Bottomyards’ is now the definition of urban blight. When an aspiring fashion designer named Darla and her image-obsessed friend, Cynthia, descend upon the neighbourhood in search of cheap rent, they soon discover something far more seductive and sinister lurking behind the walls of their new home. At turns funny, scary, and thought provoking, BTTM FDRS unflinchingly confronts the monsters – both metaphorical and real – that are displacing cultures in urban neighbourhoods today.<\/p>\n\n\n\n

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I Love This Part<\/strong><\/p>\n\n\n\n

Tillie Walden<\/strong><\/p>\n\n\n\n

Two girls in a small town in the USA kill time together as they try to get through their days at school. They watch videos, share earbuds as they play each other songs and exchange their stories. In the process they form a deep connection and an unexpected relationship begins to develop. In graphic novel format, Tillie Walden tells the story of a small love that can make you feel like the biggest thing around, and how it’s possible to find another person who understands you when you thought no one could.<\/p>\n\n\n\n

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<\/a>Wage Slaves<\/strong><\/p>\n\n\n\n

Daria Bogdanska<\/strong><\/p>\n\n\n\n

Daria Bogdanska moves to Malm\u00f6 to attend art school, sets out to find a job, and discovers that in order to work in the country legally, she needs a Swedish personal identity number. But there is a catch: she can\u2019t get one without securing a job first.<\/p>\n\n\n\n

To make ends meet, Daria starts working under the table at an Indian restaurant. There, she discovers another level of inequity: lacking regulation, the underground job market is forcing immigrants to settle for a substandard quality of life. In turning to a union for help she sparks a legal battle that ultimately leads to fairer work practices for the people in her community.

Reminiscent of the style of Julie Doucet, Wage Slaves<\/em> is the autobiographical story of Daria Bogdanska\u2019s determined struggle to build a life in Malm\u00f6, and how she found a way to succeed, against all odds.<\/p>\n\n\n\n

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Black Hole<\/strong><\/p>\n\n\n\n

Charles Burns<\/strong>

Suburban Seattle, the mid-1970s. We learn from the outset that a strange plague has descended upon the area’s teenagers, transmitted by sexual contact. The disease is manifested any number of ways – from the hideously grotesque to the subtle (and concealable) – but once you’ve got it, that’s it. There’s no turning back.

As we inhabit the heads of several key characters – some kids who have it, some who don’t, some who are about to get it – what unfolds isn’t the expected battle to fight the plague, or bring heightened awareness of it, or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high-school alienation itself – the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.

And then the murders start.

As hypnotically beautiful as it is horrifying (and, believe it or not, autobiographical), Black Hole<\/em> transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it – back when it wasn’t exactly cool to be a hippie any more, but Bowie was still just a little too weird.<\/p>\n\n\n\n

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The Gigantic Beard That Was Evil<\/strong>

Stephen Collins
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The job of the skin is to keep things in\u2026

<\/em>On the buttoned-down island of Here, all is well. By which we mean: orderly, neat, contained and, moreover, beardless.

Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable\u2026monster*!

Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave?

The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil<\/em> is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards.

(*We mean a gigantic beard, basically.)<\/p>\n\n\n\n

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Paper Girls<\/strong>

Brian K Vaughan<\/strong>, Cliff Chiang<\/strong>, Matthew Wilson<\/strong>, Jared K. Fletcher<\/strong><\/strong>

In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this smash-hit series about nostalgia, first jobs, and the last days of childhood.<\/p>\n\n\n\n

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